This beautifully piece of art was illustrated using watercolors. Edward and his brother Charles worked jointly on paintings, illustrations and etching. The illustrations were printed into color plates for the books being published.
…just two fresh, frank, straightforward English boys, as shy and modest as English boys usually are and ought to be, possessing unlimited faith in their own powers, yet in no way exaggerating to themselves the excellence of their craftsmen’s ability or the limits of their own genius.
The brothers worked jointly on their etchings and illustrations. Their first book illustrations were produced jointly for the 1899 Pictures From Birdland. Their next project, at the age of 20, was a portfolio of sixteen watercolours inspired by Rudyard Kipling’s The Jungle Book. They were well on their way to joint and individual success when Maurice suddenly committed suicide in 1908 – he was twenty-four years of age. No satisfactory explanation for the act has even been given. The coroner’s inquest returned a verdict of suicide ‘whilst unsound of mind’ and there was apparently a note as well. Edward was stunned by the sudden death of his twin, but managed to continue on with his art.
His next book illustrations practically defined him to his publishers and their patrons. These were the 1909 The Fables of Aesop for which he did twenty-three colour plates and numerous pen and ink chapter headings. Then came Maurice Maeterlink’s The Life of the Bee and Birds and Beasts and The Book of Baby Beasts in 1911. In 1912, it was the Book of Baby Birds and Hours of Gladness. Other books had titles like The Book of Baby Pets and The Book of Baby Dogs (1915), Our Little Neighbours and Fabre’s Book of Insects (1921) – all reflecting the natural history that had so fascinated him as a youngster.
Even when he branched out, as he theoretically did in 1924 with his The Arabian Nights, he was just as likely to choose animals to illustrate as he was to depict humans. It was to be his last illustrated work. In 1921 he had written a tract to attempt to explain himself, his work and his life. To quote from Keith Nicholson’s introductory essay in The Fantastic Creatures of Edward Julius Detmold:
“A decade of intense activity was drawing to a close. Detmold could look back upon some fine achievements, but he was disillusioned with many of the uninspiring commissions for children’s books he had undertaken. A pointless and destructive world war emphasized his worst forebodings of man’s direction in the new century. The happiness of his childhood and the loss of his twin brother, now recollected in an uneasy tranquillity, combined to produce an existential crisis in the artist. In the wake of feeling that life for him had become meaningless and intolerable, he produced a literary work which testifies to his readings in Schopenhauerian pessimism and the Buddhist philosophy of the Upanishadr and the Bhagavad-Gita. Life, his only un-illustrated work, a book of aphorisms, was published by J. M. Dent in 1921. A key book to an understanding of Detmold’s mind, Life is an inauspicious-looking small volume printed on one side of the leaf only. In his preface the author writes: `The following words have come to the writer, over a period of many years, as the fruits of self-overcoming.’ From the curious, mystical text we learn that there are two ways of attainment: `The direct positive way – through progressive liberation – passing from the lesser realisation of the body, to the greater realisation of the mind, and therefrom to the realisation of the infinite through the soul; and the direct negative way -through disillusionment – which comes of infatuation with things in themselves, and the inevitable passing thereof.’ In the event, Life was Detmold’s farewell to the public world of books, and his testament.”
Resigned from the world, Detmold went to live in Montgomeryshire where, after a long retirement and almost totally forgotten, he died in July, 1957. Strangely, there exists no official record of his death, though it is believed that he too committed suicide.
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ENTRIES for ART BEAD ARTISTS!!
• Beads Makers Pinterest Board-Art beads must be created by you and fit the Art Bead Scene’s monthly challenge theme. They can be made for the challenge or ones you have made before. 2 entries per month are allowed.
One entry will be picked by the editors on the 28th of each month for a free month of advertising on the Art Bead Scene. Bead entries have to be pinned by the 27th of the month.
Beads only – do not post jewelry on this board. If a post doesn’t fit the challenge it will be deleted.
• Please post at least one single shot of your creation on the Pinterest Board. This will be used to make a collage for the Monthly Challenge Gallery. Every creation will be added to the collage, regardless of a blog post. So everyone gets included!
Your entry must be on Pinterest 2 days BEFORE the recap to be included.
• Be sure to share with us the name of the art bead artist in the description of your photo so that if you are selected for the weekly Perfect Pairings on Wednesdays, both you as the designer and the art bead artist can get the credit you both deserve!
• An InLinkz button will be added to the bottom of the Monthly Challenge Recap post. Here you will be able to link up your blog post if you have one. It is no longer necessary to add your blog post URL to the description unless you want to. Be sure to hop around and see all the great inspiration and leave some comment love!
• The Monthly Challenge Recap with Blog Tour will be posted on February 28th.
• One prize winner will be selected at random from all pictures posted on the Pinterest board.
• One prize winner will be selected at random from all blog posts added to the hop for the Monthly Challenge Recap post. So if you want to be in the pool for the second prize, be sure to use the InLinkz code at the bottom of the post to share your process and inspirations!
• Winners will be randomly chosen from all the qualifying entries on February 1st.
• Formerly the Featured Designer of the Week, our new Perfect Pairings will focus on both the jewelry designer and the art bead artist.
• From all the entries during the month, an editor will pick their favorite design to be featured every Wednesday here on ABS, so get those entries in soon.
An art bead is a bead, charm, button or finding made by an independent artist. Art beads are the vision and handiwork of an individual artist. You can read more about art beads here.
***A bead that is handmade is not necessarily an art bead. Hill Tribe Silver, Kazuri ceramic beads or lampwork beads made in factories are examples of handmade beads that are not considered art beads.
Beaded beads, stamped metal pendants or wire-wrapped components are not considered art beads for our challenge.***
Katherine Thompson
February 3, 2015 at 1:47 pmYay!!! What a Gorgeous Gorgeous inspiration!!!!! Than you!!!
sewandso
February 4, 2015 at 1:11 pmPlease visit my site: http://www.sewandso.wordpress.com to see other links to Edward Detmold's work. Thank you for your inspiration.
Diana Hobson
March 17, 2015 at 8:24 amInteresting story about both the art and the artist! Artists lives and backgrounds are always interesting; where else would they find inspiration for their work? This was very cool and I love the art, thanks for sharing!
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